How I Would Direct Act 5 Scene 1 From Macbeth Essay Example for Free

How I Would Direct Act 5 Scene 1 From Macbeth Essay Introduction If I were to direct a new version of Scene 1 of Act 5 in Macbeth I would make it a modernised version. The characters would wear modern clothes and live in modern surroundings and the story would have to be slightly altered to fit this modern setting. I think that I could still let the characters use archaic language as in the original Macbeth script. The scene would be less formal as it seems to be in the RSC version, it would be a lot more relaxed. I would try to make the scene more interesting for younger people and the target audience would be around 12-18. The film would not be a comedy or an action film it would be a tragedy film. To make the scene interesting for this audience I would have to change many parts of the scene like the camera angles, colours and costumes. Casting I would like Lady Macbeth to be a small person who seems defenceless but has a strong mind rather like Sarah Siddons who first played the part of Lady Macbeth in 1785. Lady Macbeth would be a very harsh person who deteriorates throughout the film and in this particular scene is very weak, defenceless and also very stressed. She would not be as old as the Lady Macbeth from the RSC version and would be a lot more like that of the Polanski version. She will also look very pale as she is worried about what she is going to do and she will also have make-up on so she looks tired with bags under her eyes. Also in this scene would be the Gentlewoman who, in my version would be like a Maid in a large modern houshold. She would be quite large (but not too big) and she would be a very friendly and comforting person who was very lively and hyperactive. The Maid would be a very sure and decisive person who would be confident in her own decisions. Also the Maid would be very reliable and a trustworthy person. She would talk a lot in the scene and would be very loyal to Lady Macbeth. She would be very shocked by Lady Macbeths unusual behaviour just like the Gentlewoman in the RSC version. You would be able to see her concern for Lady Macbeth in the actors eyes. The Maid would probably not be English as many Maids in modern times are from foreign countries. The last person to be cast in this scene would be the Doctor. In my version the Doctor would be a very sympathetic man who cares for his patients he would reassure the maid and would be very informed and helpful for Lady Macbeth. As with the maid the doctor would be very shocked and would be worried by Lady Macbeths behaviour unlike the doctor in the Polanski version. The doctors would look very professional but also very caring. The doctor would also be a quite an old man. Costume The costumes in my scene would be quite light and modern and would not be too dark as I thought the costumes used in the RSC version were (or was that because it was in black and white?). I think that Lady Macbeth would wear a night-gown or something similar and would have long hair, probably blonde unlike the RSC version as I did not think that short brown hair would fit with my scene or settings. Lady Macbeth would be quite small also, giving the impression of a defenceless person. The Maid would be wearing the typical maid clothes, probably a dress that was white and blue or black She would be holding a tray of some sort with drinks on. The Doctor would probably be wearing a Hugo Boss suit and have grey hair. He would also wear small glasses that he would wear on the end on his nose which is always shown as a sign of intelligence. He would enter the room with a black suitcase and would have a professional image. I would also like the Doctor to have a small beard aswell. Movement Im my scene the Maid and the Doctor would enter the bedroom of Lady Macbeths house quickly and as they were walking the would be talking. Then Lady Macbeth would enter rubbing her hands in a jerky way and very quickly like the Polanski version. Lady Macbeth would be shivering while the Doctor and Maid were looking on at her. Then Lady Macbeth would go to bed talking in her sleep. After this the concerned Doctor would exit and the scene ends. Language And Performance Im my scene Lady Macbeth would have a quiet tone of voice and would whisper some of her lines. She would not cry out as loud as in the RSC version as I think that it was a bit too exaggerated in that interpretation of the scene. The tone of her voice would be horrified and frightened and would be very alarming to watch. Her voice would be as if it was on the edge and she was about to snap and go completely mad. She needs to show fear aswell when she says Hell is murky because this is showing her fear of death and going to hell for what she has done. The Doctor in this scene would be calm on the outside but he would feel very shocked and he would be asking the Maid questions very quietly almost whispering. The Maids tone of voice would also be shocked and she would almost scream from seeing the distressed Lady Macbeth. She would look away and would seem to be suffering pain from Lady Macbeths suffering. Her voice would show this. I think my version of this scene would be more emotional that the Polanski version but less emotional than the RSC version, it would be a balance between the two. Even though it would be set in modern times the language would remain the same as the original Macbeth script and no parts would be edited from the scenes except for censorship. I would direct some parts of the scene to be how I want them to be shown. At the start of the scene when the Doctor says What have you heard her say the Maid must look extremely worried about what she might tell the doctor. As Lady Macbeth walks out the doctor and Maid will talk in a whisper so that they do not disturb her. Lady Macbeth must look alone and have a blank look on her face. When she says Yet heres a spot referring to the blood which cannot seem to be removed from her hands she must seem angry and frustrated but also sorry for herself. It should seem as though Lady Macbeth is announcing her troubles. The Maid must seem very forgiving and concerned at this point. As the speech of Lady Macbeth goes on she needs to get more and more built up before crying at the end (but not too loud as in RSC). Camera Angles My version of this scene would have a long shot of the Macbeth household at the start of the scene and then would have close ups of the characters faces as in both the Polanski version and the RSC version. This way you can see the characters faces close up so you can almost see what they are thinking. I could also have a Lady Macbeth camera where there is a camera that seems as if it its inside Lady Macbeths head, showing what she sees and hears, this would let the audience know what Lady Macbeth was thinking and seeing and would involve them more in the film. For example when she is trying to wash the blood off her hand but in her dreams she cannot, I could switch to the Lady Macbeth camera to show her saying Out, damned spot! And showing the camera pointing at her hand with the blood on it. Then I could switch back to the bemused Doctor and Maid wondering what is going on. I think this would be a good way of showing the scene. Relationships With Other Characters Lady Macbeth in my cut of the scene would be very close to her Maid and they would care for each other. The Maid would care for Lady Macbeth a lot more than Lady Macbeth would care for the Maid because Lady Macbeth is in my version a very harsh person who does not care much for anyone except for her husband Macbeth. The Maid would be exceptionally loyal to Lady Macbeth and follow all of her orders. The Doctor would also be very caring for both characters and he would trust the Maid although he would be slightly confused as to what is going on and he would rely on the Maid to inform him. Staging, Setting and Lighting I would set the scene in the Macbeth household which would be in the Scottish Highlands. As the setting is so modern the story before this scene would have had to be altered slightly for example instead of killing the King, Macbeth could have killed his boss and become the Manager of a company. The house would be very large and modern and the scene would be mainly set inside Lady Macbeths bedroom. The furniture would be very expensive and modern and the room would be quite light but would have red curtains which the sun would shine through making the whole room seem the colour of blood which would symbolise danger and insecurity. The bed would be a very ornate but modern four poster bed. The Macbeths would be a very upmarket family. This setting would be very different to the setting of the RSC version which seemed to be set on a stage with not much scenery. My version will be alike the Polanski version in that it would be in a proper film set. I would also have a good soundtrack that was one of the things (I think) was missing from both versions of the scene that we saw. The music would be included in the scenes to create more atmosphere but it would be good music that would add atmosphere without really being noticed. General Impression The general impression hopefully made from my scene would be that the audience feels sympathetic towards Lady Macbeth. They should be drawn in so that they end up feeling sorry for her when earlier on in the play they thought she was a deceitful and cold blooded person. It should show people that you cant hide murder or at least she couldnt. I would also keep ideas of blood, sleep and water in the play as these devices add to the drama of the film.

Discussion of the early pioneers of moving pictures Essay -- Movies Fi

Topic : Discuss in detail how American filmmakers Edwin Porter and D.W Griffith built on early films by the Lumiere brothers and George Melies. Use examples from the oeuvre of each filmmaker to substantiate your argument. This essay will outline an introduction to the premature years of motion pictures and developments that helped shape cinema as we know it today. This paper will explore the roles of the early pioneers and the extent to which their contributions shaped cinema. In particular, it will look at how E.S Porter and D.W Griffith improved on the early years of cinema as result of influences from Louis and Auguste Lumiere and George Melies. The 18th century has marked the commencement of the innovation of cinematography. The invention of cinema owes its existence to a few investors and scientists who are broadly known for laying down its foundation. Among those pioneers are the Lumiere brothers who were some of the earliest contributors to cinema, inventing the first real film camera called the "cinematographe", which effectively functioned as a camera, projector and printer all in one (Barnauw, 1993:6). Thus giving rise to the art of film making. Initially, in the early years of cinema since there was no developed structure [or language] to tell cinematic stories, the early Lumiere brother?s films such as Workers leaving the Lumiere factory (1895) and The Arrival of a Train at the Station (1895), were composed of a single shot, no camera movement and only one continuous action from beginning to end (Obalil, 2007). Also since the camera was fixed and captured only what were before its lens without any manipulation these films ... ...ieved by the 08/02/2008. http://www.earlycinema.com/timeline/index.html: retrieved by the 08/02/2008. Knight, A. The Liveliest Art, Mentor Books, New American Library, (1957). p.25. Larson, E.H. George Melies, (2006). [Online] Available at http://www.nwlink.com/~erick/silentera/Melies/melies.html Lenin, M. Griffith classic: the making of birth of a nation, (2004). [Online] Available at http://www.leninimports.com/dw_griffith.html Louis LumiÃÆ'Â ¨re, The Cinematograph, La Nature, 12 October 1895. In Auguste and Louis LumiÃÆ'Â ¨re. (Jacques Rittaud-Hutinet, ed.) Letters. London: Faber and Faber, 1995. p.302. Obalil, L.J. Edwin S. Porter, (2007). [Online] Available at http://www.filmreference.com/Directors-Pe-Ri/Porter-Edwin-S.html Smith, D. Cinematic Reflections, (2005). [Online] Available at http://www.cinematicreflections.com/BirthofaNation.html

What Does College Mean to Me?

What does college mean to me? Going to college to me means a lifetime full of knowledge. College is an accomplishment that would give me success for the rest of my life. When I’m older I hope college will build on to my knowledge level and put me at the top! I want to be an anesthesiologist when I get older so that means I have to go to at least four years at a regular college hopefully USC, and then go to a doctoring school for at least 8 years. In order to achieve this goal I have to do well in school now to get the job in about 15-25 years.College is a tool that I would have to have to get that job and I’m determined on getting it. I hope I’ll be more successful and think more about my future then. College would be a great thing for me since almost none of my family went, well my mom did and then she dropped out. If I made it to college I would love to finish what my mom started and finish college and do what she wanted to do become an actual something and not just a receptionist/nurse at a doctor’s office.College would mean the world to me and my family and all my relatives support me in my work and think I would do very well in college if I focused more on my school work now so I hope to become better at paying attention and giving my all in all my classes especially my AVID class because that is the class that is making my dream come true. AVID is a program that gives kids a way to get to college by giving scholarships which is the only way I’d be able to go to college because my parents say that they can’t afford for three kids to go to college.My parents tell me that I have to work my hardest in this class and stay smart so maybe just maybe I won’t have to pay but a small amount out of my pocket or even my parent’s pockets. College would be a blessing to me and help my dream career become a reality! I hope that doing my work and working hard in my AVID class will get me there. My AVID teacher is al so a big part of my college dream and she inspires me to want to go to college and I’m very thankful that she has helped me get my life straight and I’m set on what I want to do and what job I want to pursue and I’m ready for college and I’ll do anything I can to get there.

African American Inventors - Names Beginning with H

Black history inventors are listed alphabetically: Each listing has the name of the black inventor followed by the patent number(s) which is the unique number assigned to an invention when a patent is issued, the date the patent was issued, and a description of the invention as written by the inventor. If available, links are provided to in-depth articles, biographies, illustrations and photos on each individual inventor or patent. How to submit to the database. G Haines to Harper, Harris to Hill, Hilyer to Hyde I James Henry Haines #590,833, 9/28/1897, Portable shampooing basin William Hale #1,563,278, 11/24/1925, Aeroplane#1,672,212, 6/5/1928, Motor vehicle Lloyd Augustus Hall #1,882,834, 10/18/1932, Asphalt emulsion and manufacture thereof#1,914,351, 6/13/1933, Protective coating, Enoch L.Griffith (co-inventor)#2,022,464, 11/26/1935, Vitamin concentrate,#2,097,405, 10/26/1937, Manufacture of bleached pepper products#2,107,697, 2/8/1938, Sterilizing foodstuffs, Carroll L. Griffith (co-inventor)#2,155,045, 4/18/1939, Inhibited detergent composition#2,189,949, 2/13/1940, Sterilizing colloid materials#2,251,334, 8/5/1941, Protein composition of matter#2,321,673, 6/15/1943, Yeast food#2,357,650, 9/5/1944, Puncture sealing composition and manufacture thereof#2,363,730, 11/28/1944, Manufacture of nitrogen-fortified whey concentrate#2,385,412, 9/25/1945, Capsicum-containing seasoning composition#2,414,299, 1/14/1947, Production of protein hydrolysate flavoring material#2,464,200, 3/15/1949, Manufacture of stable dry papain composition#2,464,927, 3/22/1949, Antioxidant#2,477,742, 8/2/1949, Gelatin-base coating for food and the like#2,493,288, 1/3/1950, Synergistic antioxidants and the methods of preparing the same#2,500,543, 3/14/1950, Antioxidant#2,511,802, 6/13/1950, Synergistic antioxidant#2,511,803, 7/13/1950, Antioxidant flakes#2,511,804, 7/13/1950, Antioxidant salt#2,518,233, 8/8/1950, Synergistic antioxidant containing amino acids#2,536,171, 1/2/1951, Production of protein hydrolysate#2,758,931, 8/14/1956, Antioxidant composition#2,770,551, 11/27/1956, Meat-curing salt composition#2,772,169, 11/13/1956, Antioxidant material and use of said material in treating meat#2,845,358, 7/29/1958, Method of preserving fresh frozen pork trimmings Virginia E Hall #4,016,314, 4/5/1977, Embroided fruit bowl wall hanging Julia Terry Hammonds #572,985, 12/15/1896, Apparatus for holding yarn skeins Felix Harding #614,468, 11/22/1898, Extension banquet table Michael C Harney #303,844, 8/19/1884, Lantern or lamp David Harper #D 187,654, 4/12/1960, Mobile utility rack#D 190,500, 6/6/1961, Bookcase Solomon Harper #1,772,002, 8/5/1930, Electrical hair treating implement#2,648,757, 8/11/1953, Thermostatic controlled hair curlers, combs, irons#2,711,095, 6/21/1955, Thermostatic controlled fur and material dressing equipment G Haines to Harper, Harris to Hill, Hilyer to Hyde I Betty W Harris #4,618,452, 10/21/1986, Spot test for 1,3,5-triamino-2,4,6-trinitrobenzene, TATB Edward L Harris #2,756,129, 7/24/1956, Apparatus for handling corrosive acid substances Emmett Scott Harrison #3,606,971, 9/21/1971, Gas turbine air compressor and control therefor#4,242,865, 1/6/1981, Turbojet afterburner engine with two-position exhaust nozzle Jesse Harrison #1,844,036, 2/9/1932, Combination tooth brush and paste holder Joycelyn Harrison #7402264, July 22, 2008, Sensing/actuating materials made from carbon nanotube polymer composites and methods for making#7015624, March 21, 2006, Non-uniform thickness electroactive device#6867533, March 15, 2005, Membrane tension control#6724130, April 20, 2004, Membrane position control#6689288, February 10, 2004, Polymeric blends for sensor and actuation dual functionality#6545391, April 8, 2003, Polymer-polymer bilayer actuator#6515077, February 4, 2003, Electrostrictive graft elastomers#6734603, May 11, 2004. Thin layer composite unimorph ferroelectric driver and sensor#6379809, April 30, 2002, Thermally stable, piezoelectric and pyroelectric polymeric substrates and method relating theret#5909905, June 8, 1999, Method of making thermally stable, piezoelectric and proelectric polymeric substrates#5891581, April 6, 1999, Thermally stable, piezoelectric and pyroelectric polymeric substrates William D Harwell #4,664,344, 5/12/1987, Apparatus and method of capturing an orbiting spacecraft Joseph Hawkins #3,973, 3/26/1845, Gridiron Randall Hawkins #370,943, 10/4/1887, Harness attachment Roland C Hawkins US 7,150,638, 12/19/2006, Cover device and method for electrical connector, Co-inventor Carl Eric Fonville Walter Lincoln Hawkins #2,587,043, 3/26/1952, Preparation of 1,2 , Di-Primary amines#2,889,306, 6/2/1959, Stabilized straight-chain hydrocarbons#3,304,283, 2/14/1967, Stabilized alpha-mono-olefinic polymers Robert Hearns #598,929, 2/15/1898, Sealing attachment for bottles#628,003, 7/4/1899, Detachable car fender William Hearns #1,040,538, 10/08/1912, Device for removing and inserting taps and plugs in water mains Tony W Helm #2,760,358, 8/28/1956, Universal joint Henry Fairfax Henderson Jr #4,111,336, 9/5/1978, Weight loss control system Andre D. Henderson #5,603,078, 2/11/1997, Remote control device with credit card reading and transmission capabilities having multiple IR LEDs, (Co-inventors William H. Fuller, James M. Rotenberry) Henry Aaron Hill #2,988,545, 6/13/1961, Curing furfuryl-alcohol-modified urea formaldehyde condensates#3,141,002, 7/14/1964, Foamable composition comprising a thermoplastic polymer and barium azocarbonate and method of foaming#3,297,611, 1/10/1967, Manufacture of azodicarbonamide G Haines to Harper, Harris to Hill, Hilyer to Hyde I Andrew F Hilyer #435,095, 18/26/1890, Evaporator for hot air registers#438,159, 0/14/1890, Water evaporator attachment for hot air registers Samuel J Hines #1,137,971, 5/4/1915, Life preserver #1,911,278, 5/30/1933, Lawn mower John E Hodge #2,936,308, 5/10/1960, Novel reductones and methods of making them#2,996,449, 8/15/1961, Glucose-amine sequestrants#4,146,650, 3/27/1979, Substituted benzodioxan sweetening compound Elijah H Holmes #549,513 12/12/1895 Gage Lydia M Holmes #2,529,692 12/14/1950 Knockdown wheeled toy Harry C Hopkins #4,704,570 11/3/1987 Power controller June B Horne #4,498,557, 2/12/1985 Emergency escape apparatus and method of using same Darnley E Howard #2,145,116, 1/24/1939, Optical apparatus for indicating the position of a tool Darnley Moseley Howard #3,451,127, 6/24/1969, Method of making radome with an integral antenna Isaiah D Hughes #687,312, 11/26/1901, Combined excavator and elevator Wilson E Hull #3,286,064, 11/15/1966, Mass release mechanism for satellites#3,424,403, 1/28/1969, Sublimination timing switch John W Hunter #570,553, 11/03/1896, Portable weighing scale James E Huntley #3,880,255, 4/29/1975, Emergency fire escape mechanism Robert N Hyde #392,205, 11/6/1888, Composition for cleaning and preserving carpets Continue black history database I